Nathan Outlaw has found his home in Cornwall: Port Isaac, where he has relaunched Restaurant Nathan Outlaw. Amanda Afiya joins him on a tour of his restaurant empire on the Cornish coast, from pub grub to fine dining
For a man with five celebrated restaurants to his name and an academy at Cornwall College, Nathan Outlaw is, surprisingly, about as self-effacing as they come. And not to mention still impressively young.
It seems like only yesterday that Nathan and Rachel Outlaw moved to her native Cornwall to set up their first restaurant, the Black Pig in Rock, but itâs actually been a whole 12 years since they uprooted from his role as head chef at the Vineyard in Berkshire.
Not that itâs all been plain sailing â" several highs and lows saw him having to relocate and relaunch with unwelcome regularity along the way â" but today, Outlaw stands as the proud owner of two restaurants in Port Isaac (his flagship Restaurant Nathan Outlaw and Outlawâs Fish Kitchen), a brasserie in Rock (Outlawâs at St Enodoc hotel), a 50-seat pub in Rock overlooking the Camel Estuary (the Mariners Rock) and a restaurant at one of Knightsbridgeâs most distinguished hotels (Outlawâs at the Capital hotel). And if his recently relocated Restaurant Nathan Outlaw retains its two Michelin stars and four AA rosettes, the group will boast four stars and nine rosettes.
The team at Restaurant Nathan Outlaw
I meet him on an overcast day at the newly situated Restaurant Nathan Outlaw, which sits on the cliff top, overlooking the village of Port Isaac, the home of the award-winning TV comedy-drama Doc Martin. A relatively unassuming building from the outside (and much younger than the many character cottages dotted around the picturesque port), the restaurant formerly known as the Edge has panoramic views across the Celtic Sea. With the dining room taking the whole of the upstairs, the restaurantâs vantage point â" and the dinerâs view â" couldnât be more dramatic.
Cod, cauliflower, watercress and bacon at Restaurant Nathan Outlaw
On the Edge
For the first time since moving to the county, this new venue, perhaps more than any other, gives the Outlaws a future they havenât had before â" somewhere they can envisage running for decades to come.
âAbout two years ago the people who owned the Edge were looking for someone else to come on board, and I always thought the spot was a good position. As I found out more about it, I realised it was something that was suited to me because of where it is. With my style of cooking, it makes sense to have a sea view, but more importantly, it was somewhere that, in time, I knew I could afford to buy. [Outlaw has taken over the lease of the restaurant, but has the option to buy the freehold.]
âRachel and I have always wanted to put our roots down long term; somewhere we could call home for the next 20 years. It fitted thatâ¨criteria. When I came in, I saw a blank canvas.â
Amazingly, Outlaw hadnât actually viewed the property properly before doing the deal because local gossip dictates that whenever he walks into a restaurant, heâs buying it.
âI had been in a long time ago, so I knew how the restaurant looked, and I was familiar with it from the road because we opened the Fish Kitchen in the village two summers ago. It just ticked all the boxes in terms of the future, so I knew it was the right place.â
L to R: Megan Rees and Simon Davies of Outlawâs
Fish Kitchen with group general manager Ian Dodgson
For Outlaw, relocating Restaurant Nathan Outlaw, which was previously based at the St Enodoc hotel in Rock, to Port Isaac was exciting too. Although heâs opened or taken over quite a few restaurants over the past 12 years, heâs never started one from scratch, and the Edge presented him with an empty shell.
âAll the walls had been stripped, the kitchen was ripped out, everything had gone,â he explains. âI know most people would have brought in designers, but I thought, âIâm going to do it all myself, because it might be the only chance I ever getâ.â
He stripped back the original flooring, exposing the beauty of the green oak boards. âWe wanted to warm up the place a bit,â he explains, adding that they used a yellow âcoastal colourâ on the walls. âI used the landscape as a colour chart and tried to keep things very natural. The original intention was to have tablecloths, but then I saw these beautiful tables, which are made from recycled scaffolding planks, sanded down and polished, andâ¨I was determined to have comfortable chairs.â
The artwork comes from local artists Caroline Cleave and Katie Childs, and illustrations were commissioned from Phil Harvey, who goes by the name Phillustrator. âKatie Childsâ paintings are actually of the estuary in Rock, so itâs nice to connect St Enodoc and the Mariners with here,â says Outlaw. âThe cushions are based on Caroline Cleaveâs work too.â
Upstairs, the bar, which was originally downstairs, has been recycled as a station looking onto the 24-seat dining room. On the ground floor, where the kitchen is based, guests using the 12-seat chefâs table (only available when Outlaw is in the kitchen) have a view of the brigade in the kitchen and the wine cellar.
If the Outlaws can establish their flagship restaurant at Port Isaac for the next two decades, it will certainly draw a line under the chefâs early years in Cornwall, where his career saw moves from the Black Pig in Rock to St Ervan Manor in Padstow to the Marina Villa hotel in Fowey and the St Enodoc hotel in Rock, where he has retained his brasserie Outlawâs.
The team at Outlawâs at St Enodoc hotel
âWhen I have moved, it has usually been out of my control,â he explains. âYou just have to adjust to that and I suppose I bounce back. I go into most days never really thinking any negative thoughts â" Iâm generally quite a positive person, and thereâs nothing that I canât do.â¨I always think like that, and thatâs probably why Iâve got five places today!
âBut of course there is a limit to what anyone can do and sometimes youâve got to be aware of the people youâre taking on that journey with you, because you canât expect everyone to have the same ethic. I sleep, eat and breathe this industry: I literally do nothing else and I donât see that as a bad thing. A lot of people think Iâm mad, but I enjoy what I do.
But he must have been worried about jeopardising his awards by relocating the restaurant? âPeople say they worry about moving because of their accolades, but I donât give it a second thought. You do what you do, and weâve been successful â" sometimes unsuccessful â" and youâve just got to get on with it. Iâm lucky that Iâve got the success of the people around me, and that sounds very corny, but that is the truth.
Brill, Porthilly sauce and spring greens at Outlawâs at St Enodoc hotel
âAt the Black Pig I was on my own and I just got on with it, but along the way people have come on board â" I hope because theyâve enjoyed working with me. Iâve always been very good at managing people and looking after them and talking to them.
âI rung up Michelin, the Good Food Guide and the AA and I told them honestly what I was doing, that we were thinking of the future and that we had chosen somewhere where I felt I could take the place further and whereâ¨I could see myself for a long time â" cooking and enjoying the environment.
âI have to be realistic. All the other stuff I do [such as consulting] could go tomorrow, whereas this place is where Iâll be as long asâ¨I can cook and stand up.â
Turning point
Having achieved great success with Restaurant Nathan Outlaw at the St Enodoc hotel, which sat alongside the brasserie there, it still canât have been an easy decision to up sticks.
âI was there for five years, and for the first four I was adamant that I was going to buy or do something with that place, but a year ago I sat down and thought, âI donât want to bring investors in, I donât want to get backersâ. That would have been the only way I would be able to afford it. So I changed my mind. I had taken the restaurant as far as I thought I could take it without doing quite a big refurbishment, which would have meant investing Rachelâs and my money into something that wasnât ours.
âWe made a very straightforward decision to safeguard our familyâs future, and I thought that if weâre going to invest the money that weâve earned in the last five years, we might as well do it in our own place. Thatâs why we still have Outlawâs the brasserie â" itâs still a good hotel and the restaurant still works well, but it just didnât make sense, long term, to keep Restaurant Nathan Outlaw there. Thatâs my main restaurant and thatâs the one thatâs going to look after me when Iâm an old man.â
Performance-wise, the most profitableâ¨restaurant within the group is Restaurant Nathan Outlaw, despite the fact that the brasserie in Rock is a much larger restaurant. âBut the thing that we deal with there is seasonality â" as soon as you hit October half-term it goes off the scale: the staff costs go through the roof and the availability of really good produce becomes quite difficult. The seas are rougher, which means availability is not as easy, and customer numbers drop. It doesnât matter what press and PR you do â" if the people are not here, theyâre not.
âRestaurant Nathan Outlaw is consistently doing 20-plus covers every night from the night itâs open [Wednesday to Saturday], with the same staff all year. The restaurant last year was open for 47 weeks, and for 40 weeksâ¨it was fully booked, so that completely bucks the trend for a seasonal place â" people travel from everywhere for the restaurant.
The team at Outlawâs at the Capital
An inspector calls
And while Outlaw will have to wait for the results of fresh inspections, I was able to persuade Giovanna Grossi, AA Hotel Services Group area manager, to share some details of her recent visit â" something of a pilgrimage from her home in Liverpool.
âBoy, was it worth it,â she enthuses. âApart from the outstanding meal and the engaging, friendly service, what a stunning location. I could enjoy the view because of the light nights and, wow, it really is amazing.â¨It makes the experience come to life, and when the sun went down it was magical.â
Grossi says she found it hard to single out a favourite dish of Outlawâs, describing flavours as clean and clear and, refreshingly, not overworked. âI loved the raw scallops with onion, preserved herring and chilli, and the local crab and asparagus course was exceptional. Desserts were equally impressive, but Tunworth cheese with beetroot and pine nuts was a dish I will remember for a very long time.â
Critically, though, Grossi says she found Outlaw relaxed and contented in his new environment. âHe is so comfortable and is clearly never happier than when heâs cooking. The way he spoke about the produce I had just eaten was like listening to my favourite opera â" he really does source the best local ingredients and his team clearly share his passion and vision. Heâs so humble, genuine and passionate and, without a doubt, as the AAâs current Chefâs Chef, is well respected by his peers and operating at the top of his game.â
I couldnât have put it better myself.
Nathan Outlawâs empire
Group general manager Ian Dodgson
Restaurant Nathan Outlaw
Outlawâs at the Capital
Fish Kitchen
Outlawâs at St Enodoc hotel
The Mariners (in partnership with Sharpâs Brewery)
The team at Outlawâs at the Mariners
Nathan Outlaw: Why I love fish
âTwo of my restaurants are fish only â" Restaurant Nathan Outlaw and the Fish Kitchen â" but even in the other restaurants fish probably represents 75% of our non-dessert sales.
âThe reason why Iâve always been drawn to fish is that it challenges me. Every fish is different. Some lend themselves to grilling, some roasting, some cured. If itâs uber fresh you want to do something raw or cured with it because the flavour and texture is so unique, and itâs a shame not to show off how good the produce is. So we do something quite simple.
âAs fish get older, itâs better to grill or pan-fry it. Take gurnard as an example: it starts to tenderise because of the breakdown of the muscles and rigor mortis setting in. At the beginning of the day you are prepping something, but by the time you get to service the texture of the fish might have changed so you have to treat it differently â" I love that, but thatâs the anorak side of me; the nerdiness of what I do.
âWe all know asparagus is in at the moment and everyone has it on their menus, including us. You even wait for it every year. But fish changes through the seasons, and on a daily basis. Of course, you know roughly what itâs going to be like, but it still surprises you. A supplier can ring up and say theyâve got some mackerel and Iâll say âitâs too earlyâ and theyâll say âwell Iâve caught it!â
âWhere we are in Cornwall with the position of the sea, with the gulf stream and the rise in sea temperatures, youâre going to see more exotic species coming through â" by that I mean species that were not native to this area say 10 to 15 years ago, such as gilthead bream and red mullet from the Mediterranean.
âMeanwhile, really cold fish such as hake are going further out to search for colder waters and the fishermen are going further out to sea to source them from their new habitat. Everything has shifted. Itâs good and bad â" itâs good because thereâs a lot more variety in the species we are using, but obviously itâs bad because itâs the effects of global warming.
âOur strength as a business is that we know exactly where our fish has come from. Weâve never had a problem with produce.â¨For example, our oyster supplier rigorously checks our oysters more than three or four times a day. In fact, they actually had the Oyster Festival locally and the oysters didnât come up to scratch from his tests so they didnât have any oysters! I trust him completely. Iâve got traceability all the way and thatâs the advantage that I have with seafood.
âI love the industry and I love what fishermen stand for. Itâs such an old occupation as well â" it fascinates me. Take that view out there, itâs different every day â" itâs quite mesmerising. But even as a young chef, when I first worked in London and didnât have that view, I always seemed to gravitate to the fish section.â
Nathan Outlaw Academy
Three years ago, Nathan Outlaw and Cornwall College launched a project dedicated to educating and nurturing young talent.
With a programme based on the collegeâs new VRQs (vocationally related qualifications), mixed with the time that Outlaw and his suppliers could give freely, Academy Nathan Outlaw at Cornwall College was born.
The academy sees budding young chefs, restaurateurs and hospitality staff study professional qualifications and receive training and tuition from Outlaw and other leading industry experts, including the catering and hospitality team at Cornwall College.
The Academy aims to equip students with the skills and experience they need to become outstanding professionals in their field. Students join the academy at Level 2 and continue to study the advanced qualifications at Level 3 in both the kitchen and front of house.
The courses combine practical and theoretical workshops with industrial visits, work experience in high-profile establishments and masterclasses with leading chefs, plus the chance to work in Outlawâs restaurants or kitchens.
Outlawâs at St Enodocâs head chef Tom Brown, a graduate of Cornwall College, is heavily involved with the project and is party to the studentsâ selection process. Outlaw delivers about eight masterclasses across the year at the Camborne and St Austell campuses.
âWe tend to take two or three graduates a year into some part of the business,â says Outlaw. âIt seems to be quite successful, and Iâm proud to be helping young people â" and older people who want to change their career. Hopefully, with the name of academy on their CV, they have the credibility and the confidence to secure good jobs and do well.â
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